Bluestar and my Backyard in 6×45 on Delta 100

I took the Mamiya out yesterday while we went out to have brunch at Halcyon (close to Bluestar). I did so mostly to test to see if my new light seals actually are working as they should (they seem to be!) and to also play around with my new Sekonic light meter. Unfortunately a made the dumb mistake of setting the EV on the meter the wrong way to compensate for the filters I was using and, as a result, about half my shots were under-exposed. But I did still manage to get some good ones including one that, finally, has a nice darker sky! I think my issues earlier with trying to get darker skies was that the sun was either too high, there was too much dust, or it was just not a good part of the sky to pull out enough blue to make a difference. I’ll have to continue perfecting that, but was definitely happy to finally get some cool results!

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Experimenting around with Delta 100 on 35mm

Here’s a few notable frames from my roll of 35mm Delta 100. I didn’t quite get the results I was looking for in many of the other photos. Primarily I still can’t seem to figure out how to use a red filter to get the supposed super dark skies. I think it has to do with perhaps my camera’s on-board light meter compensating too much for the filter. I have a hand-held light meter in the mail I’m going to start using. It’s moreso for my Mamiya 645 and my Intreprid 4×5 I’m (slowly) putting together. But I think in this case it may help since I can use the lightmeter to expose the scene normally and then compensate for the red filter (rather than metering with the red filter in place). I think (I hope) that may help produce the look I want.

All of these are without the red filter, but turned out well. Delta 100 itself is a lovely film and I’m looking forward to trying it out on my 645 next chance I get!

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Trying to figure out how to use a red filter

Here’s a few decent photos from my third ever roll of 120 film. I was practicing with the Mamiya 645 1000s and the MeFOTO RoadTrip tripod while also testing out the effects of a red filter, with and without a circular polarizer. Oddly the red filter didn’t darken the sky nearly as much as I thought. Could be due to overexposing my too many stops perhaps? It worked well for the denim birdhouse but overall not the crazy dark skies I was hoping for. In the previous role, there seemed to be some light leaks, so for this roll I taped the film back of the Mamiya along the top, bottom, and sides. Definitely helped although there were some small leaks outside the frames still. Looks like I’ll need to get new foam inserts either way though.

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First Rolls of 120 (Medium Format) Film

When I was first into photography, I never was really … wait for it … exposed (get it? … I’m sorry) to medium or large format cameras. I always thought, right or wrong, that they were expensive and really never considered anything beyond 35mm. I started learning more about medium format at least on the digital side not too long ago, but that stuff is stupid expensive for a hobbyist and, of course, given my foray into film lately, isn’t really a good fit for me. These days there are many medium format cameras can be had for actually pretty reasonable prices – doubly true if you are patient.

I’m not all that patient but it ended up working out. I was originally going to get a TLR camera but it seems like the word is out on those. They are nearly, sometimes more than, the price of a medium format SLR camera and many require cleaning, lubricating, and adjusting (aka CLA). Even though I thought a TLR would be very fun (for it’s 6×6 format but also its fixed lens and different shooting style), I ended up with a Mamiya 645 1000s.

It’s a brick. But in a good way? It’s not the camera to use for street photography. At least not mine. It’s heavy and I have a manual focus lens and no light meter on it. That means taking photos is a calculated affair. And that’s ok! Part of the purpose was to slow down – even more, with this camera and really decide what and how I wanted to shoot. And as a result, the heft of it feels – well, it’s heft with a purpose. The only quirky thing about it is that the only right handed handles they made came with an auto-winder and are rather expensive. So I have a left-hand grip and that’s the hand I’ve used to focus cameras since ever. In practice though, it’s not terribly bad – it’s another method of making me slow down. Also it’s a non-issue on a tripod.

Another downside of mine, though correctable, is that it looks like I may have a light leak as evidenced by some of the photos. Until I get some new foam strips to replace the old ones, I’m going to try simply putting electrical tape around the film door as an ugly stop-gap. Finally, there are not nearly as many lens choices available given my Nikon N80 can take both old and new lenses. There are some other lenses I have thought about eventually picking up if I end up wanting to shoot with it more often though.

All told, though, I love this camera! I won’t always shoot with it but when I do I have a blast! It’s really a camera meant for shooting with a purpose or with something I already have in mind so my normal goto for film will probably continue to be something in 35mm. Still, I can’t wait to try some slide film with it such as Velvia 50 or maybe some Ektachrome once it comes out.

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Alaska In Film & In Color

These are some of my favorite photos from my first foray into color film in a long time (we don’t need to bother with the math to know how long). Show with Ektar 100 and Portra 800. They aren’t in chronological order (whoops) for some reason so some of the Portra may have been mixed up. I had these developed with the fine folks at Digital Pro Lab since they were local. Not the cheapest but they were friendly to work with and, while I haven’t compared really any color photo labs, boy did the scans turn out well! I will be likely getting some (digital and film) enlargements from them as well.

Ektar 100 lived up to its name for being vivid in my opinion, but the Portra did a pretty good job as well – I used it for some of the landscapes since I saw some while we were hiking up in Juneau. Between the two I do like the Ektar better for the shots I took, but there are times I would definitely want Portra. I was surprised by how good some of these turned out relative to my black and whites. I knew I’d like doing black and white film photography, but wasn’t sure about the color. And, yep, I’m pretty well sold! Now to be fair I got some lovely shots on my DSLR but I’m still going through them. Nice thing about film is I didn’t spend much time on these. Partly on purpose since I wanted to show them off as they were given to me from the lab, but also because that’s part of the point. The point is to get the exposure right the first time. Film is more forgiving than digital there (in my experience) but the hope is that the desire to get the right picture translates to both. It’s a lot of work to go through 750+ digital photos. Having said that though, I do plan on “scanning” (via the DSLR method) the negatives myself just to compare them to the lab’s scans just to see.

Anyways here they are! Not fine art but I am certainly happy with the results!

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Photos from The White Pass Train

During our recent trip to Alaska, we took a day trip on The White Pass Train which was a perfect place to snap some photos!

While most folks went towards the front of the train, a super helpful engineer suggested we set up camp in the car right behind the engine since, on the way back, that car becomes the caboose and what a treat it was! I shot numerous photos with my DSLR as well as some color film (which I still need to get developed) but the black and whites turned out incredibly well! I like them better than most of my DSLR photos, although some of the colorful landscapes really popped there such that I hope the color film has a few awesome surprises. My hope is to be able to make a few proper black and white prints. Just need to find a local darkroom.

Unlike my first roll of film (since 1999 or so), I managed to get some better contrast with this roll. I’m not yet sure if it was the film, better development process, better scanning process (I have a better rig for “scanning” film using my DSLR) or what but I’m looking forward to trying the roll of Delta 100 I have, along with a roll of Rollei RPX 100 to try as well. I have to say though that the Delta 400 really brought out a lot of character and had rather lovely grain matching the look I had envisioning.

During the trip, even the kiddo got somewhat hooked on film. He still has a roll of Portra 800 to finish up on before I get to load another roll of black and white. Alas, we are back from our vacation now which may require being a bit more creative with finding interesting shots as compared to a train but hey that’s part of the fun!

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Getting back into film photography!?

I know, I know, I don’t need another hobby. But I’ve wanted to get back into Black and White film photography since high school. My dad gave me his AE-1 and I got the bug! These were actually shot on a Nikon N80 since I only have Nikon lenses. I plan on getting the AE-1 spruced up though. To no discredit to the N80, but the AE-1 is a beautiful camera and is so much fun to shoot manual.

I used T-Max 100 and developed it in our spare bathroom using Ilford’s ID-11. I then took the negatives and “scanned” them using my DSLR and a light table then converted them in Lightroom. I still need to build a proper rig for it though to keep the camera and negatives in proper alignment. This clever method was what really got me back into it since I don’t have the room to make actual prints even though I’d like to. I might ship negatives off to a mail order lab for the ones I really want proper analog prints made of unless I can find a local lab or darkroom. There’s nothing quite like a real black and white print in my opinion.

For not having shot film since 1999 and for not really having been much into photography as a hobby, these came out rather well! I learned a few things as well and took some notes (learning ultimately how to take better photos is part of the exercise) applicable for the next time and for digital. I didn’t get quite the look I remember T-Max having though I will be trying other films as well (HP5, and Delta) to see if they get me closer. I think under-exposure was probably part of the issue since the reason I remember liking T-Max was for the sharp contrast but also the silky smooth greys.

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Analog Synthesizer Heaven/Hell

I have been seriously pondering buying another synthesizer. I originally was eyeing a Virus Ti but am now thinking about trying to fix my Virus Classic (it has a few quirks) and buying an analog synthesizer of some sort. Seems like there has been a bit of a resurgence there both in the forum of analog modular and more integrated synths. The former I find very interesting but wildly expensive and unrealistically expensive. Plus, as cool as those are, they seem to be for supporting sounds rather than, say, for pads, which is really what I am after.

I go back and forth on it, in part due to the varying prices of things, but so far my pick is a DSI Prophet ’08. I am still debating on the rack/desktop or the keyboard version. The latter I would have to find used as the new price is out of my price-range. It’s pretty glorious though I think. I have also considered a DSI Tetra, or going vintage with something like an Oberheim OB-6 or Juno synths.

I tend to keep going back to the ’08 for the modern feel with the vintage sound. My only gripes are lack of an audio input (for running external sounds through the filter), and lack of a high-pass filter. The Prophet 6 has an HPF but it’s quite expensive and, apart from being a VCO vs a DCO and maybe being easier to use, I’m not sure I see the draw. Likewise going vintage gives me tons of options, many of which are affordable but many also lacking in control surfaces. The lack of audio inputs on a lot of these isn’t terrible. I still have SSM2044 VCF chips and still want to build a sort of Midibox effect box with them.

On that note, I still want to build an rackmount MBSID. The main problem is the cost of the control surface boards (if I have them fabbed) and panel. And to a lesser degree a chassis to fit it all in. The SID chip has a unique sound that I really like but it isn’t an analog synth and I have a working little brother SID synth anyway (the SammichSID).

There is now a rather epic thread over at GearSlutz about all this. Trouble is, these things cost quite a bit such that, at least to a point, it’s worth spending time to figure out which one I think I might like the most. It’s rather nice to see that lots of these analog synthesizers sound different from each other. And I think perhaps that is among the point in getting an analog synth. They seem to have quite a bit of character which is really hard to find in the world of virtual-analog synths…

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Of Plex and hardlinks

For a long time, I always thought iTunes was Apple’s best feature up until relatively recently. It, plus a few other things Apple with the user experience that I am not a fan of, has caused me to no longer think that. And, in fact, I’m now running Linux a majority of the time (and how freeing it is! Oh Tux how I’ve missed you!). Linux Mint in my case. The hardest part of the switch was trying to escape Apple’s crumbling iTunes ecosystem. I didn’t want to go back to searching for music by way of the file-system though. That’s what iTunes did so well. For music, finding music by file is a nightmare. In iTunes I could search by artist, album, song, genre, BPM, grouping, rating, time played, etc. I dare you to try that with a file-system.

It took a lot of searching but I finally ended up with something that I’m super happy with – Plex! It handles both music and video, mobile, desktop, Roku, Pi. It’s a glorious unity that frees me from the chains of Apple. And, yes, I know, these days people use Spotify and Pandora. And those are great for some things, but I have an eclectic mix of music, many of which is not found on any of those platforms, as well as my personal vinyl record recordings, EDM tracks, you name it. Plus I like owning my music. There are some *-as-a-service things that are great, but I don’t feel that music should be like air. In any case, I want to be the curator. And Plex lets me to do that!

It does have a few shortcomings. Genre is based on the album, not song, which works a majority of the time, but not for some EDM albums. Likewise, sub-genres are not really a thing or grouping, which was a feature I used quite a bit in iTunes. To solve the grouping part, I finally figured out a great use for hardlinking. Outside of rsync and Time Machine backups, I never quite figured out what would be a good use case, well now I have! As you can imagine, I have a huge amount of songs in iTunes having used for over 10 years (yikes). It’s a lot of data and I made the mistake of letting iTunes manage the file-structure. So it’s a bit of a mess. So rather than copying music files to folders and wasting disk-space, I simply create hard-links. I keep by iTunes collection as well as well well curated collections both in Plex and, in the worst case, I can bust out my Mac and open iTunes if need be.

A good example that I did just this morning was to copy over flashgoodness’ Tower of Heaven soundtrack into my Game collection in Plex. So now if I want to listen to video game music, I just go to the Game library in Plex. But that album is also a chiptune album, so I may end up creating a Chiptune library in Plex as well. Chiptune is a pretty well defined genre, but there are still some crossover and hybrid artists (such as My band of course) such that a single genre may not be useful enough. BAM! Libraries and hard-linking to the rescue!

I honestly probably didn’t explain why that is so cool well at all but it really works super well in Plex, at least so far, and means that, one day, I may have ridden myself entirely of iTunes without having a disk space nightmare on my hands. Hate iTunes but like metadata and searching music the way it should be searched? Try Plex!

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Trying Out Linux Containers (LXC), Plus LOOONG Delay In Posting

Wow shows how busy I was to now post here in over a year. In fact right at the year mark I added a new RouterBoard CCR1009 to my setup having had such good luck with the CRS109. It’s quite fantastic in my book!

But onto the topic at hand. Today I managed to finally make some forward progress with using lxc containers on Ubuntu. I had been testing it a bit while trying to deploy OpenStack on my workstation, but ended-up using standard virtualization (KVM in my case) to get that working. Today I had a really good use case to try out lxc containers on a small scale. I have been testing some Linux-based NVR software to capture recordings of a simple IP camera we have setup. The camera is to see if we want to invest in buying nicer security cameras and mounting them to our house. I won’t get into why I’m not getting a Nest camera, or a Ring doorbell camera. If you know me, you know why I don’t like the idea of those.

Anyways, I’m using DigitalWatchdog’s Spectrum software. Before Open Source advocates bust me on it, yes I tried ZoneMinder and I liked it, but it is just way too resource hungry for what it does. It likes to crush my Ubuntu NAS. By contrast, Spectrum runs extremely well and can capture full video (as opposed to JPEG like ZoneMinder seems to like to do). I’m all about Open Source, but in this case, Spectrum works really well and I needed something solid since it is for home security, after all.

As good as Spectrum seems to be, there’s a few big gotchas. The service likes to run as root and likes to create it’s storage directories in really weird places. No doubt it is designed to run primarily on a dedicated server or VM. I may do that at some point, but for our tiny test setup, it didn’t make any sense to do that. But I don’t want it running as root on my NAS, for sure. Originally I simply modified the init script to run as a non-root user, and after some permission adjustments, despite what DW has said, it seems to run just fine. But I soon realized that containers can help avoid having to do customized stuff and improving my security even more without adding a lot of overhead. If my NAS were more powerful, I might look at a full virtualized setup, but given the space requirements, among other things, containers seem like a great fit!

I did have to end up making a small change to the Spectrum’s init script. It wants to set adjust umask settings which LXC does not currently support via unprivileged containers. I also had to install some packages apt-get didn’t catch for some reason which caused some confusion. And I setup the container to use macvlan instead of the bridged mode. This let me assign an IP address to the container directly and vastly simplified the networking aspect of the whole thing. I also learned that /var/log/upstart exists – who knew! Overall it’s working quite well and using nearly the same resources it did when it was running directly on my NAS.

I’m a big fan, in short. And plan on perhaps setting up containers for Dropbox and Plex as well.

I realize the post is light on details so here’s some information to get started with containers:

  • https://linuxcontainers.org/lxc/getting-started/
  • https://help.ubuntu.com/lts/serverguide/lxc.html
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