MCP, now with more syndication!

On the heels of my new thoughts on re-branding, I have now setup aggregate posting from the Victim Cache and DJ Sweetums blogs to Moocow Productions! Turns out that it was easier than I thought it would be and will certainly help simplify things, as well as to provide one location for all things me. I still want to work on re-branding the main Moocow Productions website a bit but I think this was an important step and will certainly make other things easier in the future.

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What’s going on at Victim Cache?

Some of our fan are probably wondering why we have not yet released the album yet. I want to SOOO bad but we want to do it right and it’s been a busy month for both John and myself. January has been the busiest for John at his day job since I can remember, and I’m still recovering from my wisdom teeth removal as you may have seen on Facebook. We are both still alive and well and dedicated to releasing Chipsurf Pipeline as well as continuing work on our new album. Though the new album has no official name, we have been calling it Hero or Hero Album for the moment if that gives you any clue what it may be about.

We also are pretty excited to be working with the Hackerspace San Antonio to help bang out some workshops, mostly for our work with chip-synths. That should be rather fun and a good start to what I hope is a pretty awesome relationship moving forward. Those guys do some really cool things and help facilitate lots of neat workshops. They are currently in the process of putting together what appears to be a fantastic set of Arduino classes and workshops. If you are in the San Antonio, TX area, it’s definitely something to check out!

But back to the topic of Chipsurf Pipeline, I would love to say we can have it out by the end of this week, but John will be traveling for his day job this weekend and we have decided to rework at least one intro for one of the songs for the album so that things fit a bit better. We are still excruciatingly close to releasing the album but, as I have said before, we want to do it right! Regardless, thanks to all our fans for sticking with us while we all patiently await its arrival! One last note, we have been asked if we are still planning on doing a Kickstarter project for the album and the answer is most definitely! But we wanted the digital version to be done first so we can focus on figuring out the best next steps without having to do multiple things at once. We’ll get there!

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Time for a rebrand / refocus?

At this point, I am now maintaining 3 separate blogs, plus Facebook pages, plus Twitter feeds for myself plus our band (Victim Cache) and now my DJ stuff (DJ Sweetums). The reason for all the separation is because they are for distinctly different purposes (read: marketing) and lumping them under one blog that did not have a directed meaning would not be very helpful for me our anyone else. But how do I do a better job at keeping track of all these?

My thought lately has been to turn moocowproductions.org into a portal of all my interests. In fact, I’m already working on obtaining a DBA and officially making Moocow Productions (of Texas) a sole proprietorship to help manage the assets of the band, my DJ work, consulting, etc. That brings a potential new focus to the website while also allowing me to focus on other things, such as re-branding my solo musical work. I could move my personal blog to something like blog.moocowproductions.org and have the main site merely aggregate all the content across everything else.

Sounds simple! But it represents a great deal of work and my efforts have largely been focused on Victim Cache followed by rounding out my DJ skills to set the stage for being able to do that in the future. So I’m not totally sure when I will get around to this, but I think it needs to get done. It’s 2012, after all, and the theme for MoocowProductions has grown a big long in the tooth anyway and could use a facelift. Would be a good time to, thus, reorganize things in a more sensible way.

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Mastering Engineers! Don’t do this, please!

Ya dicks. This is ridiculous:

To be fair, Ableton Live tends to squish waveforms down a bit and make them look more dynamically compressed than they perhaps actually are. Even so, I taken a look at quite a few waveforms in Live from other digital tracks (such as when comparing vinyl versus digital, which I often like to do) and the above clip is, by far the worst. It’s such a shame, too, because that is a fantastically good song!

I don’t even see the grand purpose behind this. Sure, I bought the song off iTunes and, I guess, arguably, the chance that someone will listen to it on a portable device, or in the car, is pretty high. Even so, put dynamic range compression at the end-point (ie on the car stereo) not the source! Don’t completely trash a song by nuking all the dynamic range, killing transients, and adding distortion just so someone doesn’t have to touch the volume knob while in the car! I realize it’s a bit of a chicken and egg problem, but shitting all over a good song with bad mastering is absolutely not the solution.

That is all. Oh wait, no, I’m going to call you (mastering engineers that do this) dicks one more time. Dicks.

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Out-Takes!

Since it is taking longer than we thought to perfect the track-listing for Chipsurf Pipeline, as well as other odds and ends before we formally launch the digital version, we thought we would offer up some out-takes from our Kickstarter filming sessions. We’re not done with the Kickstarter video itself (which means maybe we’ll have even more out-takes!) but some of these are cute. Enjoy!

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Recording Done, Onto Track Arrangement

We finally finished all the recording and mastering of all the songs off Chipsurf Pipeline and it’s now very close to a digital release! What’s the hold-up? We have been trying to figure out the perfect order or the tracks. Part of what we wanted to do with the album was tell a bit of a story. Even it is an indirect part of the album, we very much wanted to get that part right. That, along side all the other odds and ends, means we still have a bit of work to do.

We hope to have it out this week but if not this week, soon! Thanks to all our fans for having patience while we work to perfect things!

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How do digital and vinyl differ on dynamic range?

This is a question I have thought about ever since I started getting into vinyl. Hipsters often make the (wrong) argument that digital produces stair-stepped sound and that’s why vinyl sounds better since it’s a continuous wave. That argument drives me nuts because it is, in large part, wrong. Modern digital audio converters (DACs) take the stair-stepped samples and interpolate them into a continuous sound. Better DACs obviously do that job better, but that argument is not why vinyl is superior.

In fact, in my own quest for the answer as to which is better (which is often subjective anyway), I have often found arguments that suggest the CD is superior. I’m not so sure myself but that argument will probably rage on ad infinitum. What I do often wonder which I have not found much information on, is how vinyl and digital differs when it comes to dynamic range. CDs, arguably, have a larger dynamic range but one potential gotcha is that lower volumes are represented with fewer bits. A sine wave at 1/8th volume can be represented in 8192 steps. 1/16th 4096, and so on. That might not sound so bad, but complex sounds like drums could be affected.

A say could because I don’t actually know the answer. My hypothesis is that lower volumes produce lower clarity for digital. Arguably, the same could be said for vinyl – I’m just not sure where those differences lie. I’m also not convinced I might find my answer on the Interwebz given the vinyl versus digital argument is so deep-seeded and, in some cases, almost religious.

Regardless, I still think offering audio with 16-bits is just not enough. Adding a mere extra byte per sample increases the range from 65536 to 16.7 million. Going past that, along with using floating point representation, can give an incredible amount of potential detail for a digital work. Granted, I would probably still listen to vinyl anyway because it’s more enjoyable for different reasons apart from sound.

And it may not matter anyway if mastering engineers continue to destroy digital releases via dynamic range compression. Having all that potential clarity and dynamic range is useless if all one is going to do is brickwall. That is, perhaps, the single largest reason for why vinyl sounds better to me than digital. Older works were mastered via an analog process with less compression. And those sound absolutely wonderful! Most modern vinyl releases at least have less dynamic range compression so even if they were mastered on a digital process, at least there is more nuance.

*shrug*

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Picked up Daft Punk’s Discovery On LP

Today while on our way to Central Market (Corey wanted some polenta), we made a small detour so I could finally check out Hogwild Records, a local “mom and pop” record store in San Antonio. The original goal was to see if they had any good 12″ EDM singles. They had a few, though not near as many as I was hoping for. They did, however, have Daft Punk’s Discovery on 2xLP. Though it was a bit of an impulse buy (and not cheap), it was well worth it. The album art is fantastic, but it sounds even better! There is detail I just never heard on the (lossy, in fairness) digital copies of the songs I have and, as with many other albums on vinyl, it just sounds more lifelike. The trade-off is that it’s less punchy perhaps. The side-chain compression is less noticeable on the bass hits and I recall that being at the forefront on the digital copies. So far, of the last 3 albums I have purchased recently (the other two being The King Is Dead by the Decemberists; and Music is Better Than Words by Seth MacFarlane), it’s the best. I’m pretty sure it’s a reissue as well but that doesn’t seem to have adversely affected the quality.

As far as Hogwild itself, while it felt a bit hipster-esque on the inside, they definitely had a healthy selection of vinyl. Given that their EDM section is somewhat small, the next stop will likely be Waterloo in Austin. Online it seems the only places to get good modern DJ-centric EDM are places based out of the UK :/

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Onward!

We are wrapping up our mastering of Chipsurf Pipeline and are already starting to look at what our next album is going to look like. So far, the direction we are headed with it is incredibly exciting for us. We wanted something that kept to the roots of Victim Cache and the sound we established with Chipsurf Pipeline while taking things in a new direction. It would appear that we have, so far, met those goals with what we have put together so far. Worry not chiptune fans, there will still be liberal use of chip-synths, although we will be using more post effects on them and likely more of the extended capabilities of our MidiBox SID and FM synths.

It is too soon to give away too much of the details until we have fleshed things out a bit more. Plus we haven’t even officially finished Chipsurf Pipeline yet! Expect us to wrap that up in a month-ish. After that, we will be focusing on our Kickstarter project for it in an effort to get it professionally mastered and pressed onto vinyl. More details to follow on that front once we finish up our Kickstarter promo video. It’s being filmed by us and, as we are musicians and not film-makers, it is taking some time to put together.

At any rate, we are excited about the present and the future and hope you are too!

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Neil Young – Harvest [Vinyl Review]

A while ago a fellow reader of /r/vinyl was kind enough to send me Fleetwood Mac’s Rumours on vinyl. Included in that kind gift was a surprise album that turned out to be Neil Young’s Harvest. I have spun Harvest quite a few times but have not been able to put together an interview until now. It was partly due to circumstance and due to me. But, either way, it’s a fantastic album and I promised I would give the fellow Redditor my thoughts and so here we go – my review of Neil Young’s Harvest of vinyl.

The Album Itself

Harvest is an interesting album for me since it’s a bit of a rediscovery. Harvest was one of the first albums I ever had on Compact Disc. Back then, I was too young to have a clue of what Neil was actually talking about. The rather simplistic songs on the album disinterested me at that time, when I was much more obsessed with modern synth-pop and the like. That was a bit unfair, but the album just did not speak to me as a young boy.

Flash-forward an unspecified amount of time, I have grown up and have broadened my horizons as a listener. I still enjoy modern music, of course, which is often rather complex compared to Harvest. The difference, however, is that I now have an appreciation for the album at a deeper level than I ever had as a young boy. I was hoping my age and maturity would have helped me understand what it is that Neil was actually talking about. Nope! Well, I suppose that’s not totally true.

The album is both a simplistic album in many ways musically (which isn’t a bad thing at all, mind you) as the story Neil is unraveling on the album. At least for me. Simple songs about a simple man. I equate the album to what it might be like living on my own in a small town with nothing much else to do than sit on the porch, maybe watch a river, and think. Not about anything dramatic, just about what life might be like with a maid. And I think that is part of what Neil might have been going for. I think?

The nice thing about not understanding the album is that it’s fun to listen to over and over. The music itself, though it is a bit simplistic, is wonderful. It’s catchy, soothing with Neil’s vocals capturing me in. I usually don’t pay much attention to lyrics, but though the meaning is one I have a hard time understanding, the lyrics come through and actually make me think a bit.

Long story short, it’s a great album to listen to when I need to slow things down, have a change of peace, and reflect. It’s an album that will probably age with me. I get a feeling I will understand more and more about the album as I get older. I owe the Redditor that gave this to me extra thanks. Were it not a gift, I probably would have never given Harvest a second thought. While the album isn’t something I listen to often, when I do, it speaks in a way I truly appreciate and it’s now among my favorite albums that I have on vinyl.

How does it sound

Back when I had the album on CD, I listened to it on a comparatively crappy pair of headphones usually. I didn’t think as much about quality, thinking the CD itself was doing all that hard work for me. I no longer have the album on CD to compare, but as I recall it sounded flat and uninspiring on CD. And this was on an older CD (before the loudness war). I get the impression that if I listened to it on CD now, it would be far less captivating than the vinyl. Part of my discovery of vinyl has been the appreciation for what analog recordings actually sound like. I think that was largely lost on the CD version. To be fair, since I can’t compare them, perhaps some of this is the romance and allure of vinyl as a medium. Regardless, I much prefer this album on vinyl. CD and digital just spoil part of what makes the album so great.

The album sounds vintage; and by vintage, I don’t mean old. But it has a distinctly analog sound that is perhaps more dusty for lack of a better word, but with interesting depth. It sounds smooth, perhaps slightly low-fi, but pleasing to the ear. One thing I have noticed on vinyl, which is true of this album as well, is that the sound is just more natural. It is not that things fit better necessarily, but that they don’t sound intentionally over-processed and fake. The various instruments on that album also have a surprisingly amount of depth. I don’t want to say clarity, because I tend to associate that with staleness. It’s more like they sound more rounded and even detailed, but in a way that isn’t blatantly in your face.

In other words, the album sounds very analog, but wonderfully so! Among my growing collection of albums on vinyl, new and old, few sound more natural and pleasing than my copy of Harvest. Hence, if an analog vintage sound is what one is after, one need to go no further.

Album Art

My copy of the album is a gate-fold with an insert that included the lyrics of the songs in hand-written script. Inside the gate-fold is a panoramic of a doorknob with a person in the reflection of the doorknob itself. On the left is the track-list and the usual information.

In Closing

I ended up receiving this album as a bonus to Rumours and, as it tuns out, in some ways, I actually like this one better. Perhaps for different reasons. I think the only downside of this album is that it makes me feel older. I hate getting older (who doesn’t, I suppose). But with getting older, the album seems to become more and more unique. For being simplistic, there is a lot of depth on the album in terms of me trying to figure out what it is that Niel is rambling on about. It sounds fantastic on vinyl as a result and is now perhaps among my top 5, or even top 3, best records I own.

A huge thanks to the Redditor who bestowed to me such a gift and my apologies it took so long to put this together. I promised to continue to “spin it forward” and, indeed, I will!

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